Is it a bird? Is it a plane?
Is it some sort of title-seeking missile?
To say that I was a fan of Smallville when it was still a TV show is, I suppose, half-right. Much like the rest of the world, I ignored it for the majority of its run; however, thanks to Comics Alliance and their sterling work reviewing each episode of the final (10th) season, I got interested in seeing what it was they found so confusing. Picking up the BR set of season 10 on its first week of release, I devoted an entire weekend to watching it from start to finish - and oh, I got my answers, and then some. Navel-gazing introspection, naff music cues and mawkish sentimentality was being made to share the screen with Hawkman, a transparent rip-off of The Matrix (in the year 2011?), and Darkseid - Lord of Apolokips, most foul of the New Gods, one of Jack Kirby's most enduring villains - redesigned as a malignant cloud of smoke. And that's before we consider this as a retelling of the origins of Superman, which meant that it spent 10 years with a superpowered Clark Kent running around Metropolis not actually being a superhero. It was, is and may always be the ultimate example of car-crash TV.
And yet, it had viewers. A shade over a million per episode, in fact, even into the later seasons. So I suppose it wasn't much of a surprise for DC Comics to greenlight a new ongoing series picking up where the show left off - if even half as many people who watched the show could be persuaded to buy the comics, they'd be the best-selling Superman books since, well, since the absolute WORST Superman books ever. Makes sense from a business perspective.
From a storytelling perspective? Hmmm...



