Judge Death anxiously awaits the dawn of 3D comics,
so he can poke out your eyes with his gross fingernails.
Oh hey, it's another infrequent update. Hiya! Hope you're keeping well.
Anyways - comics.
Secret Wars, which
I've gone over before, is now well-underway, and it's been taking up a considerable chunk of my attention...not to mention my wallet. But it's not the be-all end-all of my funnybook affections - in particular, I'll always have time for some properly British weirdness from 2000AD, the weekly anthology book/deliverer of Betelguesian THRILL-POWER (delete as apt) which the uninitiated would best recognise as home of
Judge Dredd, fascistic future policeman. The majority of great comic talents from this damp little island, on both the writing and art sides, earned their stripes in 2000AD before applying for work with the big American publishers - and like bands that began underground or pro wrestlers coming from the independent circuit, it's frequently their 2000AD work that shows them at their most ingenious and daring.
...having said that, the creators at play on Dark Justice - a Dredd story first serialised in 2000AD Progs 2015 and 1912 to 1921, and now available as a handsome hardcover collection - don't fit that mould. John Wagner created Dredd with Carlos Ezquerra back in 1977 and has stuck with that world, and the company that features it, ever since, while Greg Staples has lent his masterfully moody painting many comics publishers, Magic: The Gathering cards, film concept work, you name it. This isn't the work of developing talent, it's pros at the top of their game.
It is also a story about lisping zombie policemen murdering people on a spaceship. You need a review beyond that? Really? Fine, let's dig into the necrotic flesh a little deeper.